Rane MP 2016S Rotary Mixer

Rane MP 2016S is a professional rotary-controlled DJ Mixer. Rane MP 2016S features six Input Channels, Booth and House Outputs, Pre-Effects Tape Outputs, Post-Effects Tape Outputs with Level control, switchable Effects Loop, and Headphone Cueing. Input Channels 1 through 4, on the MP 2016S Rotary Mixer feature high quality RIAA phono preamplifiers which may be switched to line input via rear panel switches. Input Channels 5 and 6 each provide a balanced mic preamp with Input Gain trim, Mic/Line switch, two-band EQ, Mic Engage switch and an internal Booth Ducking enable jumper. In addition to the six dedicated preamplifiers, all six Input channels may select any of the five stereo Auxiliary Inputs.

Each Input Channel on the MP-2016s provides a 6-position source selector, Input Gain control for matching levels, Signal/Overload indicators and a studio-grade Master Mix control. The Both Outputs may select Master or Cue as its source. An ultra-low noise, high power headphone amplifier also allows monitoring the Master Mix or Cue Mix. Since the original MP 2016, we've added Split Cue. Individual Cue switches on each channel drive a panning Master / Cue control for the Headphone output. The Master Mix circuit provides Signal/Overload indicators, Mono switch and high-pass/rumble filters. In addition, the Master Output features patent-pending high performance 3-band, full-cut, Accelerated-Slope tone controls.

Rane MP2016S provides exceptional ergonomics, good feel and a clean, intuitive layout packaged in a compact 19 inch, 3U rack mount chassis, a scant five inches deep. Rane MP 2016S Rotary Mixer Features:

• Split Cueing
• Six stereo Input channels
• Four dedicated stereo Phono / Line preamps
• Two dedicated Mic / Line preamps with: Gain trims
• 2-band Tone controls
• Engage switches
• Booth ducking
• Five stereo Auxiliary Inputs
• Input Gain controls for level matching
• Switchable Effects Loop
• Booth Output with Master / Cue source switch
• Separate Pre- and Post-effects Tape Outputs
• Master Accelerated-Slope, full-cut, 3-band Tone controls
• Audiophile / Studio sound quality
• Highest quality Alps potentiometers
• High power headphone amplifier

• UL/cUL universal internal 100-240 VAC power supply Gain (unbalanced outputs): 1 kHz, EQ centered, all levels max, add 6 dB for balanced output
• Phono / Line: 52 / 16 dB
• Aux Line: 16 dB
• Mic / Line: 66 / 36 dB
• XP 2016S port: 0 dB
• House: +6 dB
• Input Impedance:at 1 kHz
• Phono/Line: 47.5 kOhms, Shunted by 200 pF
• Aux Line: 23 kOhms
• Mic/Line: 1.02 kOhms / 29 kOhms, Differential input impedance
• Effects Return: 5.11 kOhms
• Max Input Level: Max input before input stage overload, @ 1 kHz
• Phono/Line: 77.5 mV
• Aux Line: +20 dBu
• Mic/Line, Max Gain: -30 / 0 dBu
• Mic/Line, Min Gain: 0 / +30 dBu
• Output Impedance: @ 1 kHz
• Balanced: 150 Ohms, Each leg
• Unbalanced: 300 / 150 Ohms, Other / Booth
• Max Output Levels:@ 1 kHz
• Balanced: +26 dBu, 2 kOhms load
• Unbalanced: +20 dBu, 2k Ohms load
• Headphone: 150 / 120 mW, 600 / 150 Ohms
• Infrasonic Filter: 15 Hz, 18 dB/octave
• THD+N : .01 %, Line in to unbalanced output, 20 to 20 kHz, 80 kHz BW
• Signal-to-Noise Ratio: Input gain set for unity, Tones set flat; Any one mix set to max (all others min), any unbalanced out.
• Phono: 91 dBu, Input shorted, “A” weighted
• Mic: 60 dBu, (Mic & Input Gains max) Input terminated 150 Ohms
• Line: 94 dBu, Input terminated with 150 Ohms
• Signal Indicators: SIG / OL: -2 / +18 dBu
• Crosstalk: -70 dB, Channel to channel, 1 kHz
• Control Feed-through: -80 dB, 1 kHz
• Master Tone Controls
• Treble: 4k, Shelving Hz, 2nd-order, range +6 dB to off
• Mid: 300 to 4k, Band-pass Hz, 2nd-order, range +6 dB to off
• Bass: 300, Shelving Hz, 2nd-order, range +6 dB to off
• Microphone Tone Controls:
• Bass: 100, Shelving Hz, Range ±12 dB
• Treble: 5k, Shelving Hz, Range ±12 dB
• Construction: All Steel
• Size: 5.25"H x 19"W x 5.3"D (3U), (13.3 cm x 48.3 cm x 13.5 cm)
• Weight: 11 lb, (5.0 kg) Each Unit