TC Helicon VoiceLive Play GTX vocal processor features over 200 artist inspired presets designed to give you an array of professional harmonies and effects. TC Helicon VoiceLive Play GTX offers all the automatic backing harmony vocal processing, vocal double tracking, pristine EQ and compression from VoiceLive Play and adds a comprehensive range of effects and amplifier models for guitar. VoiceLive Play GTX effects are ported from TC Electronic’s Hall of Fame Reverb and FlashBack Delay as well as new algorithms from TC Electronic and TC-Helicon.
VoiceLive Play GTX features 10 AmpTones plus a special acoustic guitar setting. The amps are inspired by famous tones from Fender, Mesa and Marshall. They range from Clean to Insane distortion characteristics with user variable Drive amount. All feature editable 3 band tone, compression and speaker emulation controls.
- Acoustic - direct and clean to be sent to the PA
- Clean - Fender Twin
- Comp - Fender Twin with compression
- Comp Atk - Fender Twin with Bright switch on and compression
- BF Combo - Overdriven Fender ‘65 Deluxe
- Bright - Overdriven Modern Fender
- Crunch 1 - Marshall Plexi
- Crunch 2 - Hiwatt
- Crunch 3 - Marshall Plexi
- BF Combo - Overdriven Fender ‘65 Deluxe
- Honk - Vintage combo
- Insane - Mesa Rectifier
The GENRE button on the VoiceLive Play makes browsing a breeze by allowing you to easily browse hundreds of presets. Choose a style that suits you and VoiceLive Play GTX will list the presets that fit your preference. If hundreds of presets wasn’t enough, you’ll be able to download new and exciting artist presets each month for free via VoiceSupport. VoiceLive Play GTX offers the simple and intuitive onboard controls to manufacture your own presets and in addition, you can mark any preset as a FAVORITE, creating a personal genre of choice effects for super-fast access.
HIT is a performance-inspired feature on TC Helicon VoiceLive Play GTX for building intensity into any vocal performance. Every preset has an effect that you can build upon by pressing the HIT button, which adds additional effects on top. For example, you could start with a simple reverb and then “HIT it” to add dazzling harmonies or a raw megaphone effect for emphasis - excellent for making choruses stand out instantly!